Dallas Stoudenmire: A Cure as Bad as the Disease

El Paso City Marshal Dallas Stoudenmire, 1881
(courtesy El Paso County Historical Society)
Desperate times call for desperate measures…and in April 1881, El Paso, Texas, was about as desperate as a town could get. Four railroad lines had converged in the city, bringing with them gamblers, gunmen, and “ladies of questionable virtue.” Within spitting distance of Old Mexico and the lawless western territories, El Paso became a haven for vagabonds, thieves, murderers, and other criminals.

The city was not entirely without a law-and-order presence. The county sheriff’s office was only fifteen miles away—a half-day’s ride on horseback. Fort Bliss was closer, but the Army had its hands full defending settlers from Indians and cross-border marauders. Nearest of all was an entire company of the Texas Rangers Frontier Battalion, headquartered right there in town. Even a force of forty fearsome men who a few years later would adopt the motto “one riot, one Ranger” couldn’t be everywhere at once, though, especially when they had a 1,250-mile unruly border with Mexico to police.

El Paso needed a tough city marshal, and it couldn’t seem to find one. During the eight months starting in July 1880, the town employed four different men in the position. One resigned after two months in office. Another was relieved for “neglect and dereliction of duty.” A third was allowed to resign after a dispute over his pay left El Paso full of bullet holes. By April 1881, the town drunk wore the badge because he was the only man who would take the job.

City fathers thought they were in luck when, on April 11, they enticed a six-foot-four shootist with experience as a soldier, Texas Ranger, and city lawman to claim the marshal’s star. Dallas Stoudenmire, 36, was described by newspapers of the day as a temperamental, physically imposing man with an even more imposing reputation for gunplay.

Born in Alabama, Stoudenmire enlisted in the Confederate army at 15. After the war, he migrated to Texas and joined a company of Rangers tasked with subduing renegade Indians in the southern part of the state. Only 20, Stoudenmire reportedly “killed a few men” during his year with the Rangers, ostensibly in the line of duty.

In May 2001, Dallas Stoudenmire’s Smith & Wesson American,
serial number 7056, sold at auction for $143,000. His El Paso city
marshal’s badge sold for $44,000 in a separate lot.
(source: Little John Auction Service catalog, May 2001)
After that, he drifted through Texas, working as a carpenter, wheelwright, and sheep rancher before turning to the profession that eventually led him to the job in El Paso: hired gun. Stoudenmire was said to be quick and accurate on the draw, but a hot temper and a fondness for drink frequently caused him trouble. When a saloon brawl in 1877 left bullet holes in several people—including Stoudenmire—he was arrested. He escaped in short order, only to find himself wanted again less than a year later, after he and a couple of compatriots left several men dead in a shootout over a herd of cattle.

Stoudenmire lit out for New Mexico, soon coming to rest as marshal of Socorro in the northern part of the territory. By early 1881, he was back in Llano County, Texas. That’s where the El Paso city fathers found him.

It would take them only a few short days to realize they’d made a mistake, but a total of thirteen violent, frightening months would pass before they removed him from office. Ultimately, only Stoudenmire’s untimely demise freed the city of his presence. Some called the man a criminal with a badge; others credited him with doing more than any other single individual to tame El Paso’s lawless element.

The trouble started three days after Stoudenmire pinned on the marshal’s star. In an incident that came to be known as the Four Dead in Five Seconds Gunfight, Stoudenmire’s twin .44 Colts dispatched three people—one an innocent bystander attempting to take cover. The other two were an accused cattle rustler and one of El Paso’s former city marshals. The fourth casualty, whose death at the hands of the alleged cattle rustler started the ruckus, was a county constable. Stoudenmire, unscathed, received a raise.

Three days later, friends of the dead men hired another former El Paso city marshal to assassinate Stoudenmire. In the course of firing eight or nine shots at his attacker, Stoudenmire obliterated the would-be assassin’s privates.

The notorious gunman continued to collect enemies while he performed some aspects of his job admirably. Even his detractors credited him with a steel-nerved ability to face down miscreants, six of whom he reportedly introduced to Boot Hill. Stoudenmire collected fines and taxes with alacrity, at the same time shooting dogs whose owners neglected to pay the $2 annual license fee. He angered the local religious community by using a prominent church’s bell for target practice while he policed the streets, disrupting the peace in the middle of the night. The jail and prisoners were well tended, but the marshal’s records were a mess, and unauthorized expenditures caused friction with the city council.

Stoudenmire also drank heavily, often on duty, leading the editor of the El Paso Times to call into question his fitness as an officer of the law. When the Texas Rangers took an interest in Stoudenmire’s idiosyncratic approach to law enforcement, he called them a pack of cowards and liars and tried to get the entire force banned from El Paso, without success.

The city decided it had endured enough in February 1882, when Stoudenmire and his new bride returned from their wedding trip to find her brother murdered and the accused killer absolved of charges. Vowing revenge, Stoudenmire went on a violent drinking binge. One writer called his behavior “as irresponsible and dangerous as the town hoodlums.” Right away the city council passed a resolution mandating a stiff fine for any lawman caught drinking in public. Since Stoudenmire collected the fines, the law was woefully ineffective.

Public sentiment against the marshal had reached a crescendo…and so had the city council’s fear of the monster they had created. In May the council called a meeting to fire Stoudenmire, but when the marshal showed up drunk and waving his infamous Colts, the meeting quickly adjourned. Two days later he sobered up and resigned.

Despite the public’s ill will, Stoudenmire and his wife remained in El Paso. The now ex-marshal continued to drink, get into fights, and settle arguments with his guns; nevertheless, in July he was appointed deputy U.S. marshal.

Over the next few months, Stoudenmire’s feud with the man accused of his brother-in-law’s murder escalated. Stoudenmire mocked and insulted the man and his two brothers in public, daring them to fight. When other citizens ventured an opinion about his behavior, Stoudenmire cursed and threatened them. The El Paso Lone Star warned “citizens stand on a volcano,” and the streets might be “deluged with blood at any moment.”

Dallas Stoudenmire had the barrel of this 1860 Colt Army revolver
sawed off so the gun could be concealed. The Colt was retrieved
from the El Paso street where Stoudenmire was killed in a shootout
on September 18, 1882. (source:
The Peacemakers: Arms and Adventure in the American West by R.L. Wilson)
On September 18, the volcano erupted. Stoudenmire and the three brothers met in a saloon and argued. One of the brothers and Stoudenmire drew their guns. Two bullets hit Stoudenmire: The first broke his gun arm, and the second knocked him through the saloon’s batwing doors. Lying in the street, Stoudenmire pulled his second gun and wounded his attacker just before another of the brothers killed him with a shot to the head. The wounded brother pistol-whipped the body.

Separate trials acquitted the brothers of murder. They left El Paso and died of natural causes in 1915 and 1925.

Stoudenmire’s widow buried him in Colorado County, near Columbus, Texas, where they had been married a few months earlier. The Freemasons, of which he was a member, paid all funeral expenses for the destitute widow. Although a commemorative marker documenting Stoudenmire's Confederate service exists, no stone marks his gravesite, and all records of its location have been lost.

An obituary in the Colorado [County] Citizen called Stoudenmire “a brave and efficient officer, and very peaceable when sober.”



This post originally appeared June 20, 2012, on Sweethearts of the West.

The LOOK Challenge

Jacquie Rogers, author of the Hearts of Owyhee series, tagged me in the LOOK Challenge. "Look" is one of those words for which writers are always on the lookout. Like other words related to the senses, "look" can distance readers from the point-of-view character's experience, so we try t use it with caution. The Look Challenge is a game writers play to remind us to keep an eye out for the overused word and replace it with something more evocative when appropriate. (Plus, the game lets us show off snippets of our works in progress.)

The rules of the Look Challenge require those who've been tagged to find the first occurence of "look" in their work in progress, and then post that sentence and the surrounding paragraph(s). Then they have to tag an unspecified number of friends. Here's my contribution. This is the opening to GHOSTS IN THE SHADOWS, a contemporary romantic suspense:

Sam Whiteoak's shack in the Dragoon Mountains
The body was not yet cold.

That meant nothing, in Britton Moonchaser’s experience. Arizona’s relentless heat could keep a man warm six months into the grave. Sam Whiteoak hadn’t been dead long, though. His remains weren’t bloated or stiff. And there wasn’t a mark on him. At ninety-four, he’d simply reached his expiration date.

Brit gathered the empty shell in his arms and rose from the dusty ground, thanking God or Usen—assuming either existed—for small favors. Sam looked at peace…but Sam would have looked peaceful if the desert had burst into flame around him. That both irritated Brit and somewhat assuaged his guilt.


Now for the tagging part: Cindy Nord, Devon Matthews, Kirsten Arnold, Marie-Nicole Ryan, Alethea Williams, and Marlene Cronkite, y'all are it!

Designs of the Times: Victorian Reticules

Silk crochet with metallic beads, 1840-1850
Courtesy Los Angeles County Museum of Art
Whenever I have a question about what a proper lady in the nineteenth century might have worn, I consult Cindy Nord. Not only is Cindy a talented writer and a lifesaver of a critique partner, but she’s also an expert on historical fashion — particularly fashions of the Victorian Era. A former Civil War re-enactor, Cindy has given lectures about Victorian clothing in all sorts of venues … dressed for the part, of course.
In her debut novel, NO GREATER GLORY (Samhain Publishing, July 2012), Cindy puts a chunk of her fashion knowledge to good use. Heroine Emaline McDaniels, the widow of a Southern plantation owner, may be watching her world come apart at the seams, but her wardrobe hasn’t suffered. It's delightful watching Emaline dress — and undress — in several scenes. (The hero, Yankee Col. Reese Cutteridge, enjoys the undressing part, in particular.)

Here, Cindy gives a brief rundown about an often-overlooked element of any well-dressed nineteenth-century lady’s wardrobe: her handbag.

Reticule: a Handbag by Any Other Name

Sterling silver mesh reticule
(personal collection of
Mary Elizabeth Todd)

Merriam-Webster defines “reticule” (RET-i-kyool; also spelled reticle) as a woman’s small bag or purse, usually in the form of a pouch with a drawstring, made of net, beading, brocade, etc. Unlike today’s purses — in which we carry everything but the kitchen sink — the delicate bags popular during the Victorian era were large enough to contain little more than a handkerchief, a scent bottle, important keys, and perhaps a coin or two.

The material from which reticules were made varied based upon when a bag would be carried. Simple cotton handkerchief designs or patterned wools and canvas were suitable for everyday use. For evenings out, a well-dressed lady’s bag might be made of silk or satin with delicate beadwork, or even elegant silver mesh chainmail.


Glass beading over silk, 1840-185
Courtesy Metropolitan Museum of Art, New York
Beadwork was particularly fashionable for much of the era, but only wealthy women could afford the price of an elegant hand-beaded reticule. The smaller the beads and the tighter their pattern, the more expensive the piece. Only the crème de la crème of society were able to purchase reticules bearing 100 beads per square inch.

Closures varied from simple drawstrings to more formal formed-brass metal headers with snaps. But always the item would be worn suspended from the wrist or attached to the waist by a clip to allow the lady’s hands to be free to support a fan (in the evenings) or a parasol (during afternoon outings).

As women of today look forward to the newest handbag from Coach or Louis Vuitton, the women of yesteryear perused the latest edition of Godey’s Ladies Book with glee. So anticipated were the delightful reticule patterns that each month’s collection offered several to choose from and usually included intricate beadwork examples, as well.

1869 Gladstone bag
Courtesy GladstoneBag.com
When a Victorian lady traveled, she carried a metal-framed bag called a Gladstone. According to GladstoneBag.com, “the original Gladstone Bag [was] developed in the mid-19th century and represented a kind of suitcase built on a rigid frame that could be split into two separate parts.  It was usually made of very strong leather and was often ‘tied’ with lanyards also made of leather.”  The Gladstone bag was designed by leather craftsman J.G. Beard, who named the bag after Prime Minister William Gladstone [1809–1898], a popular politician renowned for his love of travel.


True love awaits in the writing of Cindy Nord, whose work has won or finaled in numerous competitions, including the prestigious Romance Writers of America Golden Heart Awards. A luscious blend of history and romance, her stories wrap both genres around fast-paced action and emotionally driven characters. Visit her at her website, or connect with her on Facebook or Twitter.






NO GREATER GLORY

Amid the carnage of war, he commandeers far more than just her home.

No Greater Glory by Cindy Nord
Widowed plantation owner Emaline McDaniels has struggled to hold on to her late husband’s dreams. Despite the responsibilities resting on her shoulders, she’ll not let anyone wrest away what’s left of her way of life—especially a Federal officer who wants to set up his regiment's winter encampment on her land. With a defiance born of desperation, she defends her home as though it were the child she never had…and no mother gives up her child without a fight.

Despite the brazen wisp of a woman pointing a gun at his head, Colonel Reece Cutteridge has his orders. Requisition Shapinsay and its valuable livestock for his regiment’s use, and pay with Union vouchers. He never expected the widow’s fierce determination, then her concern for his wounded, to upend his heart—and possibly his career.

As the Army of the Potomac goes dormant for the winter, battle lines are drawn inside the mansion. Yet just as their clash of wills shifts to forbidden passion, the tides of war sweep Reece away. And now their most desperate battle is to survive the bloody conflict in Virginia with their lives—and their love—intact.

Available from Amazon, Barnes & Noble, Google Books, Kobo, and other ebook sellers. (Audiobook due in October 2012; print version set for release in June 2013.)